Skip to main content

I am happy to be called 'Second Narayan Gopal' : Dev Narayan Pradhan




How easy is it to live in the shadow of another person? Yet Dev Narayan Pradhan finds himself blessed when people around him refer to him as ‘second Narayan Gopal ’. Lord Ganesha is always worshiped before any occasion and in Nepali music, it is said Narayan Gopal, the greatest and the biggest exponent of Nepali music is remembered.  To be associated with such a legendary voice is the biggest gift I have ever received, says Dev Narayan Pradhan.

His evergreen song ‘Kati kura nabhanera nai metha metha huncha’ from his only solo album released some 15-16 years back was a big hit among school-goers like me. To meet this man of golden voice was no more than an unexpected opportunity. The occasion was the Maghey Mela opening at Rongli and he was among the few invited singer guests on the occasion. It was good of Bhanu Daju (Bhanu Gurung), a musical talent from Sikkim who happened to be my wife’s family member, and Sunil daju, my wife’s twin brother who brought Dev Narayan Pradhan at Bikash daju, Suni’s elder brother at Sungdung for an overnight halt. We were all celebrating Tamu Lochar out there.

I have seen his (Dev Narayan Pradhan) photograph from his Nepali album when I was in the final years of my schooling. What I remembered was a man in a black suit with a pencil-touch mustache catching hold of a microphone. The man before me that evening was an elderly person, a simple soul and his better half as easy going as him. All of a sudden there was a buzz among the family members of his arrival all preparing to be introduced. Me too was in a line and believe me I wished to touch him. I have heard about him but to come across him where I could feel his breathing was never thought upon. Bhanu Daju introduced me to Dev Narayan Pradhan. The next 16 -17 hours he stayed with us was no more than a magic moment I will treasure a lifelong.

There was of course a music session till late evening, Dev Narayan Pradhan singing a few of his personal songs and naturally his master’s song too. Bhanu Daju on guitar supporting the legend; Tamu Lochar, the Gurung New Year had begun.  I could see people sitting around clapping and making merry of the golden moment I would better call it. There was an exchange of songs, I felt it great that most of my in-laws are good singers and everyone enjoyed the moment. Suraj Daju even sang Dev Narayan Pradhan’s song which he could not hold his smile back. I was all capturing the moment in my cameras as I always do.

The next morning, our relationship too had changed, I was more comfortable calling him ‘daju’ and he did not hesitate to call me ‘jawai’. Being associated with the media, when I was talking with him, I could feel I was taking his interview.  He shared many on his musical journey and for a listener like me, it was like reading a book. According to Dev Narayan Daju, his failure to come across in person with Narayan Gopal always pinches him. He was in touch with Narayan Gopal through letters and Dev Narayan Daju even had sent his music cassette but the legendary singer passed away a couple of days prior to their proposed meet. Daju went on to say he was in touch with Narayan Gopal’s wife for a long time till her death.

I wanted to know from him about that particular moment when in a program on Narayan Gopal at Kathmandu, his song brought Narayan Gopal’s wife in tears. He said he had always sung with passion and ‘with a feel’ and it was that feeling of a song that brought her tears. During that program, he was given security and whenever he and his wife visited, security guards also followed them. It was something very strange and a proud moment for us, he recalled.

Born to a family where his parents died when he was a child, Dev Narayan Pradhan did not complete his schooling. Music being his pleasure passion, he followed it and today he has the status of his own.

Comments

Popular posts from this blog

History on Easter Sunday and Padari Ganga Prasad Pradhan

By Seira Tamang As noted by various scholars, Hinduism, the Nepali language, the monarchy and a rastriya itihas (a chronicle of progress in which the dark era of Rana rule is contrasted with the enlightened, progressive and modern period of Panchayat rule) formed the core of the Panchayat regime’s national culture. The formation and consolidation of this national culture have required the expunging of uncomfortable facts and stories that might raise ambiguities and questions. While the selection of what and who is and is not acknowledged to exist (or at least exist in historically important ways) in official Nepali history is complex, social scientists have begun to provide more comprehensive historical accounts of the past through oral histories and re-readings of historical documents. Such accounts reveal how ordinary people lived in the past, and offer ways to think through how ‘history’ is crafted, shaped and managed in order to reflect ‘the reality’ best suited to the status quo, ...

Shapi of Sikkim: Our legacy -iii

A Sikkimese with a Shapi The two previous articles I wrote in my earlier edition on Shapi were wonderful to read for people around, and appreciation had been received from different corners of the state. I am thankful and find pleasure in people finding joy in my findings and research work. It was a bit surprising that very few had heard about Shapi, our rare legacy.  Nevertheless, I am happy to be part of history for re-introducing Shapi to those sections of my readers who had never heard about this old and sacred mountain mammal, a native of Sikkim. I dedicate my writing on Shapi to Ongden Daju (RO), who has been very supportive of me ever since I first published its first part a few months back. It was he who wanted me to continue with the third part of Shapi since more findings were evolving after my two writings. I shall always remain grateful to JR Subba, Jt Director from the Forest Department, for providing me with a valuable census report of Shapi done by the Department...

Chogyal Palden Thondup Namgyal, with his mother Queen Mother Denzong Lhayumkusho and Prince Wangchuk of Sikkim

The late Jungkyang Chogyal Palden Thondup Namgyal, seated with his mother Queen Mother Denzong Lhayumkusho, daughter of Rakasha family of Tibet, and Prince Wangchuk whose late mother hails from the Samdrup Phodrang family of Tibet. Standing next to Denzong Queen Mother is the senior Rakasha Lhachamkusho, daughter of Raja Tsodrak Namgyal Taring of Sikkim, the eldest son of Chogyal Thutop Namgyal, who gave up the Sikkimese throne to his younger brother Sir Chogyal Tashi Namgyal in favour of staying in Tibet.  The Taring family of Tibet enabled into Tibetan high society by the great 13th Dalai Lama, is legitimately the unbroken elder line of the Royal Namgyal lineage of Sikkim, since Raja Tsodrak Namgyal was the Crown Prince of Sikkim, and his sons and grandsons today go by the Taring family name. Standing in the picture is also Princess Kukula, sister of the Chogyal married to the Phuenkhang family of Tibet.  Rakasha Tsetop, Rakasha Tseten, Yap Dr. Paljor, Soden Wangdi, Chimi ...