Chogyal Sir Tashi Namgyal's Glacier Oil Painting

Chogyal Sir Tashi Namgyal was a popular painter and one such coloured works "Glacier", an oil painting is placed at the entrance hall of Chumbi Residency at Gangtok.

Time magazine in 1963 in one of its article about Sikkim writes ...." Ever since, India has handled Sikkim’s foreign affairs and defense. Tashi retired into a private life that consisted largely of prayer and painting —he specialized in misty Sikkimese landscapes, and painted one “vision” of the Abominable Snowman, who is pictured as a skinny, jet-black animal with a red face scampering over a snowy summit carrying a nude, pink-skinned lady with an alarmed expression. Tashi conversed with spirits, who are prevalent in Sikkim, looked out at the world through green-tinted glasses, and seemed fashioned of gold, so stiff and heavy were his brocaded robes."

Comments

JANHA BAGCHA TEESTA RANGIT

This was a national song of Sikkim sung in the Nepali language during the monarchy system. During the merger with India, the song got banned and later re-released. Two words on the 8th para, which earlier said 'Rajah rah Rani,' were replaced with "Janmah bhumi." This song was dedicated to the King and Queen of Sikkim. The song lyrics were penned by Sanu Lama, and the music was composed by Dushyant Lama. The song was first sung on the birth anniversary of Chogyal Palden Thondup Namgyal on April 4, 1970, at Gangtok by Aruna Lama, Dawa Lama, and Manikamal Chettri. JANHA BAGCHA TEESTA RANGIT, JAHAN KANCHENDZONGA SEER YEHI HO HAMRO DHANA KO DESH, TAPAWAN HO PYARO SIKKIM INTERLUDE PHULCHAN YEHA AANGANAI MAA, CHAAP , GURAS, SUNAKHARI SWARGASARI SUNDAR DESH KO HAMRO PYARO PYARO JANMAHBHUMI JANHA BAGCHA…… BATASHLE BOKCHAA YAHA, TATHAGAT KO AAMAR WAANI ...

Sukunda: Newa`s five elements

(Information by Dipak Shrestha) Sukunda is a typical traditional Nepali oil lamp made of brass. The front part of this lamp shows a tiny icon of Ganesha, the god of luck and success. On its front is a small cup fixed in the shape of a Yoni used to put the wick. Fixed on the back of the lamp is a fascinating loop handle designed with a five-headed serpent (sometimes a mythical dragon or makara) raising its head in a very watchful attitude. A small spoon with a nagakanya on top generally replenishes the reservoir's oil. The artistic work on this unique oil lamp reflects the remote past of a very famous Buddhist legend. The Legend A long time ago, Kathmandu Valley was a large lake inhabited by nagas(snakes). In the middle of the lake was a beautifully blooming thousand-petalled lotus flame. When Buddhisattwa Mahamanjushree heard about this, he rushed to the valley from China to pay homage to the flame. The entire valley rang up with the thundering strike of his mag...

Early Poets of Sikkim : Subhash Deepak

During the early two decades of the twentieth century young boys belonging to rich and aristocratic families including upper caste Brahmins were sent to Darjeeling or Benares for studies. These young boys naturally got an opportunity to encounter the new trends of awakening like the National movement of Indian Independence. The influence of great literary personalities like Lekhnath Poudyal (1884-1965), Lakshmi Prasad Devkota (1909-1965) and Balkrishna Sama (1902-1981) is very much evident on the poets associated with Apatan Sahitya Parishad . This was the time when Parasmani Pradhan , Surya Bikram Gewali and their worthy associates had already had their influences on the young poets. ‘The tide of awakening had swept throughout the area like Sikkim , Darjeeling, Benares and Dehradun . During the second and third decade of 20th century Dharanidhar Koirala’s ‘ Naibedya ’ (1920), Mahananda Sapkota’s ‘ Mana Lahari ’ (1920) marked a break with the traditi...

Proud to be a Sikkimese: Sikkim Travel, Culture & Local Heritage

Search This Blog